We are searching data for your request:
Upon completion, a link will appear to access the found materials.
Saint Luke, painting the Madonna, is a large picture painted in oil on an oak panel. The author is considered to be the Dutch artist Rogier van der Weyden, who created the masterpiece between 1435 and 1440. The painting, located in the Boston Museum of Fine Arts, depicts the Evangelist Luke, the patron saint of all artists, painting the Virgin Mary, feeding the baby Jesus.
The figures are housed in an elegant interior, with a window overlooking the river flowing through the city. Among the numerous iconographic symbols depicted in the picture, a closed garden and figures reminiscent of Adam and Eve are easily guessed.
The work of Van der Weyden was greatly influenced by the works of Jan Van Eyck, and the picture is very similar to the Madonna of Burgundy Chancellor Nicolas Rolen painted by him in 1434. The position and tone of the paint with which the figures are painted are reversed, in contrast to the work of Van Eyck, and St. Luke occupies a central place - his face is perceived, in fact, as a self-portrait of van der Weyden. There are three more versions of the picture. They are located in St. Petersburg's Hermitage, Munich Pinakothek, and Groningemmuseum in the Belgian city of Bruges. The Boston painting is recognized to be original, but it is in rather poor condition, having received significant damage, which remains, despite extensive restoration and cleaning of the canvas.
The historical significance of the picture is based on magnificent fine art, as well as on a rare image of the merger of the earthly and divine kingdoms for that era. The artist in the act of fine art is located in the same space as the Holy Madonna, thus van der Weyden is one of the first to highlight the role of artistic creation in the society of the 15th century.
Sinop Battle Pictures